‘It’s hell being famous’: second violent death of Serial podcast character raises ethics questions | Alabama


That fame can come with a price is a truism most associated with stars of film and screen or other arts. But the inhabitants of one small town in rural Alabama, deep in the American south, have discovered the truth of that notion via one of the most popular mediums of the internet age: the podcast.

Woodstock, a speck on the map halfway between Birmingham and Tuscaloosa, was the subject of the hit 2017 podcast S-Town, which followed the often bizarre goings-on, and even more complex relationships, in a small American community where nothing was ever quite as it seemed.

Some are questioning just what the price of that fame was as – for the second time – an untimely death has struck one of the central characters, shocking not only Woodstock but fans around the world.

Last Sunday Tyler Goodson was fatally shot by police in what law enforcement described as a standoff, saying Goodson, 32, had “brandished a gun” at the officers. His death – he was declared “brain dead” on Tuesday – came eight years after the suicide of his friend and antiquarian horologist John B McLemore.

Both men were known to millions of S-Town fans. As Alabama’s state bureau of investigation began an investigation into Goodson’s death, the Woodstock mayor, Jeff Dodson, said: “Tyler was well-known and loved by myself, his family and this community. That love extends far beyond due to the S-Town podcast.”

While the circumstances of Goodson’s confrontation with police are yet to be fully understood, a second death in the orbit of the seven-episode podcast has renewed questions about the hit show, and accusations of media voyeurism.

Goodson told the Associated Press soon after S-Town launched – it was downloaded or streamed more than 80m times – that it had brought a deluge of attention on him and the town, but had not done him any favors.

“It’s a sad story, especially if you’re part of it,” Goodson, who had worked as a tattoo artist and plant worker, told the news agency. A year later, after S-Town had won a Peabody award, Goodson was questioning whether or not participating had been worth it.

“It’s hell being famous without the rich part,” he told Esquire in 2018. “If money came along with it, I wouldn’t feel near as bad about it.”

Last weekend, police spent three hours trying to talk Goodson out of a house before they shot him. Moments before Goodson was killed, at 1.39am, he posted a message to Facebook saying: “Police bout to shoot me down in my own yard.”

Six years ago, the six-and-a-half-hour podcast was released by the makers of Serial, which launched as a spinoff of This American Life and became a 2014 phenomenon when Sarah Koenig, a former Baltimore Sun reporter, spent more than a year re-investigating the 1999 murder of an 18-year-old high school student, Hae Min Lee.

Four white people sitting in a row at a table in front of a beige curtain, all smiling to some degree.
From left to right, Julie Snyder, Serial co-creator and S-Town executive producer; Ira Glass, This American Life creator and host; Brian Reed, S-Town host; and Sarah Koenig, Serial host. Photograph: Sandy Honig

That was followed by the story of Bowe Bergdahl, the US soldier who left his post in Afghanistan in 2009, then was captured and held by the Taliban for five years and later charged as a deserter.

The third installment of the series, S-Town, hit harder. It followed the story of McLemore, who had written to This American Life in 2012 asking them to look into an alleged murder in Woodstock, which he referred to as Shit Town.

The story went from true crime to McLemore’s life, the lives of his family members and his close friend, Goodson, and their not-quite father-and-son relationship, which included hanging out at Goodson’s tattoo shop, Black Sheep Ink, and building a maze in McLemore’s backyard.

It was in the brutal third episode that McLemore’s family, and Goodson, deal with his suicide by drinking potassium cyanide in June 2015, aged 49.

Goodson got a commemorative tattoo of his friend and told Esquire that “John B was my employer and just about the closest friend I’ve had. He acted like a father figure, because he knew my sperm donor wasn’t worth a damn. Hell, I learned a lot from him … He was probably the best teacher I’ve ever had.”

Two years later, S-Town dropped, and that private tragedy became a public one. “I was just clusterfucked,” Goodson recalled to the magazine. He said he cried throughout. It was the first time he learned McLemore had had intimate relationships with men.

skip past newsletter promotion